Plot and Setting 01:18 (viral learning, accelerated childhood, photosynthesis, viral augmented reality, living history, communism, living history, viral empaths) // Themes 15:04 (utopia and distopia, invading thoughts in the gestalt, J G Ballard, Anne Leckie, the bigger picture, Big Questions, Cyberpunk cheats death, constrained by time, death and transcendence, editing the soul) // The Roleplaying Bit 29:38 (two experience tracks, Brexit, countdown to apocalypse, local and global collapse, the Village)
Samples: “Is that you or are you you?” from Reappear // “But enough about me Bill Paxton” from Direct to Video // “Cylinder four” from Cylinders // “I can’t imagine where I’d be without it” and “Another version of you” from Thoughtless
WS: Your problem… is since 2016 you don’t need to be a racist or anti-semite to vote for Brexit, it’s just that every racist and anti-semite in the country did. MF: I think that’s a slur on 17.4 million people and I think you should apologise on national television. I think that’s an outrageous thing to say WS: Well, you seem to find a lot of things outrageous MF: Are you saying that 17.4 million people are racist and bigots… WS: No, that’s not what I said MF: That’s pretty close to what you said WS: It’s not remotely close to what I said. You seem to be a bit exorcised, sir MF: Well, I’m offended WS: The politics of offence, eh? What I said was that every racist and anti-semite in the country, pretty much, probably voted for Brexit. MF: How can you know that? WS: I suspect it. MF: Well, I think you should apologise. WS: To who? Racists and anti-semites?
OK, pretty funny although the best comment on the showdown was by Sara Pascoe on Frankie Boyle’s New World Order saying (IIRC) “What you’re seeing there is a clash between two different kinds of alpha male”. Everyone should wind their neck in.
But this is Fictoplasm, so there’s going to be a fiction element — and that’s this piece by Will Self in the aftermath of his face-off, where he name-checks J G Ballard:
Perhaps the pivotal years were around middle of the noughties – at any rate, that’s when I went to speak to my friend and mentor JG Ballard about what would prove to be his final novel, Kingdom Come. Jim was as bluff and strange as ever – he had the manner of the RAF pilot he might have become if he’d completed his training, combined with the thousand-yard stare at what’s immediately to hand, which is the sure sign of a surrealist. He pointed out to me the flags flying in the front gardens along Old Charlton Road, the utterly bland suburban road in Shepperton (an utterly bland Surrey dormitory town), where he’d lived for 40 extremely odd years. For him, the flying of the Cross of St George was undoubtedly minatory: it had come about through a synergy between football fandom and the rise of ethnic nationalism; these were the years of the British National Party’s ascent to the giddy heights of the 2010 general election, when their candidates won over half a million votes. Reviewing Kingdom Come in the Guardian, Phil Baker succinctly noted “Ballard’s central idea is that consumerism slides into fascism when politics simply gives the punters what they want”. Well, Jim was always prescient – this was the writer who conceived of the celebrity car crash as a catalyst of collective hysteria a quarter-century before Diana Spencer was killed in the Pont de l’Alma underpass, and who also anticipated the baleful impacts of global warming as early as the late 1950s. Jim got that English nationalism was on the rise – and that under neo-liberal conditions favouring consumption over production, it was likely to become a vector for the most troubling aspects of the famously ‘tolerant’ English psyche.
Perfidious Albion on Speed is too fussy a title to be Ballardian. In fact, Perfidious Albion is already the title of Sam Byers’ second novel, which didn’t start out as a Brexit novel but perhaps it evolved that way:
The honest truth is that it began in a much more speculative fashion. I did the bulk of the work on this book in 2015 and 2016, and while it’s true I continually adjusted for events such as Brexit, I think what really happened is that the world just caught up with me in surprising and disturbing ways, and so I accepted the idea that rather than continually reinventing things in order to be out in front of the phenomena I was depicting, I should anchor myself and play more with the ways in which the context of the book was evolving.
Becky Annison and Elizabeth Lovegrove with Ralph Lovegrove
Synopsis 00:40 // Comments 03:50 // the BBC version 05:10 // Pride and Prejudice and Zombies 07:40 // The Penguin special clothbound edition 08:40 // balls 10:20 // teh Establishment suks 13:50 // Kitty the Aircaptain 16:20 // The RPG Bit — Liz’s Game (Sagas of the Derbyshirelanders) 18:10 // Court Whispers (Stiainin Jackson — under playtest) 19:10 // Monsterhearts 19:40 // Anti-Establishment PCs (that would be all of them) 25:15 // Inferno and Inc. 26:05 // social proximity and introductions 27:15 // Becky’s Game 31:00 // Breaking the Ice 31:20 // Nomic 33:20 // TOWIE 36:10 // like Archipelago? 36:25 // sh.t games for vampires 38:35 // changing rules mid-scenario 39:35 // Dogs In The Vineyard (and Human Resources) 41:20 // Final Remarks 44:10
“Is That You Or Are You You?” from Reappear by Chris Zabriskie