This Damned Nation: Player Notes

see this post

Apocalypse World: Burned Over (like most PbtA) has its own lexicon regarding playbooks which may affect impressions of what that character does.

This is further complicated by this scenario, which is very prescriptive in what the PCs do.

Players are expected to pick playbooks and work to fit them into the scenario and potential situations. Some playbooks will be a drop in, but others will take a bit of creative thinking to make work. There are some comments below on how to make the different playbooks work.

Managing Expectations

This game is slightly different from (my experience of) typical AW games, which are usually centred around a stronghold or other central location. In Burned Over this would be the game’s Hard Zone.

This scenario uses the variant play of Burned Over with two Hard Zones, which are North and South of the Road that the players will be travelling on. Furthermore the characters will be constantly in motion, travelling from location to location and not returning to static locations. The characters are also on a mission to deliver serum to Boston; this means that they are against the clock, and every stop and diversion means lives lost.

I can see these consequences:

  1. Less opportunity for pursuing social interactions.
  2. A character with a big following will be difficult to make work, unless they’re travelling with them. An entourage that slows the convoy down could be disastrous.
  3. Similarly resources or wealth concentrated in a place won’t work, unless that place is mobile.

That leaves three ways of managing characters with people and other resources on their playbook.

The first is to have those resources in a vehicle.

The second option is to have the resources in caches along the road. If they’re people, they’re settlements that display some kind of affiliation to the character. If they’re resources, they’re dead drops, strongboxes, bunkers or other caches that the character can gain access to. In that case the character should use those to expand on their own affiliations and how these resources illustrate them — are they part of a secret society, federation, pre-collapse nation?

The third is to make use of the two Hard Zones. This is trickier but these may still be accessed along the Road via Off-Ramps. They represent different states of reality, two opposing forces, competing timelines and ethereal states; it’s effectively a ghost or spirit world, a representation of the psychic maelstrom. Specific characters are more likely to interact with them briefly (e.g. the Gearcutter) but they could serve as static places “owned” by those characters with such resources, to be visited on occasion. However this may still present a logistical problem because the time any character can spend in these places will still be limited owing to the mission constraints. If the playgroup and player can make this work then go for it; otherwise I’d limit the concept to the other two options above.

Vehicles and Driving

The Nation of California provides a vehicle suitable for transporting the serum called a Landmaster. This is an eight-wheeled all terrain vehicle with radiation cladding, armour and various armaments. It’s assumed all characters can drive the vehicle, especially if there are no environmental challenges (and they will need to share the burden of driving).

Some playbooks own vehicles, or have abilities that could be interpreted as a vehicle. If the players agree, the Landmaster could be “owned” by one character. If the Medic is in play for example, the Landmaster could be their Refuge. If there’s a Weaponized, they could be the Landmaster.

Otherwise, the other vehicles can be outriders or support vehicles doing duty to protect the Landmaster, which is carrying the vital serum to Boston.

The Hard Zones

AW: Burned Over assumes 1 or at most 2 Hard Zones. If there’s a single Zone it’s where the PCs are; if there are 2, the PCs walk the border between the two.

By default The Road is the game’s Hard Zone. It’s the physical landscape the characters are going to cross on their journey between the Nation of California and Boston. Locations include:

  • Wells, places that can provide resources essential to the journey
  • Off-ramps, deviations from the Road into the Other places
  • Storm ranges, natural threats that will affect progress

There are some notes below on how each Playbook fits into the setting, but in general interactions with a Hard Zone will be spots along the Road, and the party will only visit these spaces once.

If you want to run with 2 Hard Zones instead, make the Road the border between the two. This could be a physical border (for example between warring groups North and South of the Road) or a metaphysical one (the Road connects the Now with the Past, other timelines or dimensions).

Fitting the Playbooks

Brain Picker

This character tends to be a loner and can probably slot in as-is.

Note that this character is potentially very disruptive to both communities and the environment; also they need time up close to use their powers, even if that time is short, which will be limited to when people are outside their vehicles. But otherwise no real restrictions and no tweaking needed for play.

Gearcutter

A great playbook for a mechanic type, and really good fit for the game. Does some interesting psychic stuff.

Note their Salvage Grounds. Assume that they have a collection of stuff in the Landmaster or their personal vehicle.

When they’re going into dangerous territory to salvage, they’re probably going Off Ramp into one of the Hard Zones, which are weird alternate spaces where they can find things not normally found in the primary world.

Lawmaker

This is probably the hardest playbook to integrate as it often revolves around a Holding which is by default static and has NPCs coming to it.

One way to make the Lawmaker fit is to make them an extension of either the Nation of California, or the old pre-collapse USA. In this case their law is synonymous with THE law. This would make them more like a Judge crossing the Cursed Earth, but it could work. This would still allow them to proclaim their Laws. Their 20-strong Gang might be other lawmakers roving the wilds and similarly dispensing justice, and their Holding could be stations along the way that still uphold the Old Laws.

An alternative way to play could be to make this character an antagonist pursuing the convoy with bikes and other vehicles, for whatever reason. This is the role of the biker gang lead by Big Brother in the final pages of Damnation Alley. Managing this would mean you have to cut between the Convoy and their stronghold, but in this case it could work. One of their Laws should be something that directly opposes the Mission. Their Holding might be a roving gang, or it could be one of the two Hard Zones accessed by Off-Ramps.

Medic

If the Medic is in play, suggest that their Refuge is the Landmaster.

Monarch

Like the Lawmaker, this playbook implies some kind of static group of people, but it’s a bit more flexible. If the Monarch’s People are choppers it’s easy to make them a support group riding with the Landmaster.

Another interpretation could focus on the affiliation the character has, rather than assuming an entourage that’s always there. Like the Lawmaker variant, their people might be found in pockets of civilisation along the way, connected to this character by fame, a shared ideal, a national identity, etc. In this way the Monarch may be some kind of navigator or official that facilitates the convoy’s journey. Perhaps there are numerous checkpoints, tolls, or ports along the way and the Monarch is not just useful, but essential in getting safe passage through or resources. That would make them a kind of “fixer”.

If you’re taking this alternate option, be careful that you don’t overlap too strongly with the Operator and make one or the other redundant.

Operator

A pretty good fit with the scenario as-is. The Operator’s Ports of Call will be places along the Road, and their Ear to the Ground move should similarly be focused on places they’re going to travel through on the Road. They have their own vehicle.

Undaunted

Really interesting character focused on Aggro, with links to the Maelstrom.

The Children should be encountered along the Road. Some of them are created as Threats (I guess either antagonists or causing trouble).

Rather than have these turn up as recurring characters (not really possible) consider foreshadowing these characters with some inevitable meeting happeing somewhere down the Road.

Vigilant

This is actually a pretty good fit already as the character isn’t tied down to a location. The exception is the Bolthole move. This could be a vehicle, or it could be a network of bunkers that the character somehow has access to, or other safe locations. Perhaps they have a secret map of the Old Nation. Hiding out for any length of time won’t work with the setting, so it may be simpler to prohibit this move.

Volatile

Not a particularly subtle character, but should be no problem to integrate into the setting with no ties to any location.

Weaponised

Similar to the Volatile, a no-nonsense character that should be straightforward to integrate.

One option for this character could be to make them one of the vehicles, possibly the Landmaster itself. This could be tricky to build into the narrative with constraints on where the character can go, but it could be a fun option.

This Damned Nation

a play idea for Apocalypse World: Burned Over inspired by Roger Zelazny’s Damnation Alley, Roadmarks, and the Amber series.

By Ralph Lovegrove

The Mission and the Convoy

The play group is the Convoy of vehicles.

PCs have been seconded by the Nation of California to take the serum to Boston, which is in dire need combatting the Plague. The PCs are all miscreants with past lives that are at odds with civilised society. They all have reasons they are prepared to take the deal offered by the Constable of California, a pardon in exchange for escorting the serum to the East Coast.

At character generation, each character will have a past that forms part of their reason for being on the mission. Answer some of these questions:

  • what did you do that means you can’t be part of society any more?
  • what do you miss about being part of society?
  • what will you do with your freedom?

The Road

The Road is a straight line between the Nation of California and Boston. This forms the basis for the journey. West is the Past, East is the Future, North and South are two alternate timelines. Branches from the Road move to other timelines in which characters may exist for a time and then rejoin the Road.

Branches

Branches off the Road, sometimes called Off-Ramps or Junctions, lead to other timelines. There are two competing realities: North and South.

North and South are the Hard Zones in this setting. They are static and eternal. They exist in many different times. The group (or MC) need to decide how the portals between the Road and the Hard Zones appear.

If you like, have individual characters or even the whole party deviate off the Road via a Branch and then rejoin later. This can be a mechanism for managing player absence.

Wells

Wells along the Road are the places that the Convoy needs to stop to replenish resources. They are the potential for the characters to meet settlements along the way, with associated Threats. Wells are (must be) resources that the Convoy needs.

A Well may have

  • a resource that the Convoy needs to acquire
  • a crisis/conflict that needs to be resolved in order to get that resource
  • opportunities for interaction with locals
  • a Landscape Threat

Terrain

The Terrain (including weather) is a significant Threat, and a legacy from the Event. Threaten the party with the Terrain at least once per session.

The Nation

The Nation matters. Even though boundaries have been erased by the disaster, there are people who are still old enough to have lived through the event, or direct descendants whose family have clung to the old divisions and borders.

Everyone has a relationship with the Nation, from zero (the former nation means nothing) to some positive value (geography, geopolitics, pre-Event history are significant).

The Nation has a language. The ancient cipher can be used to unlock deep held sentiments, forgotten truths, and painful truths depending on who you talk to.

In play the Nation is a Threat (Institution).

All characters start with Hx for The Nation, used in the moves Charm Someone, Read Someone, Read a Situation, Augury. This works if you can work in some element of the Nation into the conversation or the situation. In this case, replace the current stat with Hx.

At the MC’s option, use negative Hx in these situations to represent a person’s bias.

Some MC moves

Threaten with weather
Expose resentment
Spoil resources
Create off-ramp
Poison a Well

The End

Up to the play group when things end. It may end after a few sessions with a defined arc. Or the game may end before ever reaching the destination, even after season after season. As MC you may choose to cancel the campaign before anything is really resolved, after many sessions of endless roads, diversions into other dimensions, returning PCs who may be imposters, clones, or alternate timeline versions of themselves. Prepare for backlash.

83: I Am Legend by Richard Matheson

I Am Legend by Richard Matheson

Show Notes

Intro 00:07
Synopsis 00:54
Themes and Games 08:45
– Vampire Science 08:55
Blade
The Strain
The X Files
– Proper Vampires 14:39
pretty vs nasty vampires, or how the 90s ruined vampires
Other Media 21:52
– The Films
The Last Man on Earth
The Omega Man
I am Legend
The Vampire in Europe by Montague Summers
Arktos by Joscelyn Godwin
Fevre Dream by George RR Martin
Ultraviolet
Chill RPG
World of Darkness

Music Credits

Music is by Chris Zabriskie: chriszabriskie.com // bandcamp // free music archive

Samples: “Is that you or are you you?” from Reappear // “Another version of you” from Thoughtless

82: Hawkmoon by Michael Moorcock (the Tale of the Eternal Champion vol. 3)

Hawkmoon by Michael Moorcock

Millenium edition, 1992 HB ISBN 1 85798 027 1

Ralph with Dirk the Dice from the Grognard Files podcast

Show Notes

Introductions 00:07
The Cover 04:46
The Foreword 09:44
Synopsis 10:41 (The Jewel in the Skull, The Mad God’s Amulet, The Sword of Dawn, The Runestaff)
Favorite bits 23:43 (Count Brass, Soryandum, the Black Jewel, Granbretan, the Multiverse, gods)
Sequence 43:33
Dirk’s Eternal Champion 51:59

Art Notes

Rodney Matthews page on Moorcock inspired art including the magnificent Hawkmoon defends Castle Brass
Cover of The Jewel in the Skull by Bob Haberfield from the blog Good Show Sir “only the worst Sci-fi/Fantasy book covers”

Music Credits

Music is by Chris Zabriskie: chriszabriskie.com // bandcamp // free music archive

Samples: “Is that you or are you you?” from Reappear // “Another version of you” from Thoughtless

81: Damnation Alley by Roger Zelazny

Damnation Alley by Roger Zelazny

Show Notes

Intro 00:07
Synopsis 00:56
Themes and Games 12:00 (Ribbon Drive, Witch: Road to Lindisfarne, Ultraviolet Grasslands, Deluge, Station Eleven, American Gods)
Further reading 24:33 (the movie, Annihilation, Roadside Picnic, Into the Badlands, Kiteworld)

Other links

Fear of a Black Dragon’s episode on the Ultraviolet Grasslands
Andy Bartlett’s blog post on America and D&D

Music Credits

Music is by Chris Zabriskie: chriszabriskie.com // bandcamp // free music archive

Samples: “Is that you or are you you?” from Reappear // “Another version of you” from Thoughtless

Perfidious Albion on Speed

If you’re British, or even if you aren’t, a good chunk of your news feed will have been swallowed by the Brexit pantomime, including hilarious exchanges like the one between Will Self and Mark Francois:

WS: Your problem… is since 2016 you don’t need to be a racist or anti-semite to vote for Brexit, it’s just that every racist and anti-semite in the country did. MF: I think that’s a slur on 17.4 million people and I think you should apologise on national television. I think that’s an outrageous thing to say WS: Well, you seem to find a lot of things outrageous MF: Are you saying that 17.4 million people are racist and bigots… WS: No, that’s not what I said MF: That’s pretty close to what you said WS: It’s not remotely close to what I said. You seem to be a bit exorcised, sir MF: Well, I’m offended WS: The politics of offence, eh? What I said was that every racist and anti-semite in the country, pretty much, probably voted for Brexit. MF: How can you know that? WS: I suspect it. MF: Well, I think you should apologise. WS: To who? Racists and anti-semites?

OK, pretty funny although the best comment on the showdown was by Sara Pascoe on Frankie Boyle’s New World Order saying (IIRC) “What you’re seeing there is a clash between two different kinds of alpha male”. Everyone should wind their neck in.

But this is Fictoplasm, so there’s going to be a fiction element — and that’s this piece by Will Self in the aftermath of his face-off, where he name-checks J G Ballard:

Perhaps the pivotal years were around middle of the noughties – at any rate, that’s when I went to speak to my friend and mentor JG Ballard about what would prove to be his final novel, Kingdom Come. Jim was as bluff and strange as ever – he had the manner of the RAF pilot he might have become if he’d completed his training, combined with the thousand-yard stare at what’s immediately to hand, which is the sure sign of a surrealist. He pointed out to me the flags flying in the front gardens along Old Charlton Road, the utterly bland suburban road in Shepperton (an utterly bland Surrey dormitory town), where he’d lived for 40 extremely odd years. For him, the flying of the Cross of St George was undoubtedly minatory: it had come about through a synergy between football fandom and the rise of ethnic nationalism; these were the years of the British National Party’s ascent to the giddy heights of the 2010 general election, when their candidates won over half a million votes. Reviewing Kingdom Come in the Guardian, Phil Baker succinctly noted “Ballard’s central idea is that consumerism slides into fascism when politics simply gives the punters what they want”. Well, Jim was always prescient – this was the writer who conceived of the celebrity car crash as a catalyst of collective hysteria a quarter-century before Diana Spencer was killed in the Pont de l’Alma underpass, and who also anticipated the baleful impacts of global warming as early as the late 1950s. Jim got that English nationalism was on the rise – and that under neo-liberal conditions favouring consumption over production, it was likely to become a vector for the most troubling aspects of the famously ‘tolerant’ English psyche.

Meanwhile, Mark Francois is providing meme-tastic soundbites like Perfidious Albion on Speed.

Perfidious Albion on Speed is too fussy a title to be Ballardian. In fact, Perfidious Albion is already the title of Sam Byers’ second novel, which didn’t start out as a Brexit novel but perhaps it evolved that way:

The honest truth is that it began in a much more speculative fashion. I did the bulk of the work on this book in 2015 and 2016, and while it’s true I continually adjusted for events such as Brexit, I think what really happened is that the world just caught up with me in surprising and disturbing ways, and so I accepted the idea that rather than continually reinventing things in order to be out in front of the phenomena I was depicting, I should anchor myself and play more with the ways in which the context of the book was evolving.

Here’s a video of the author:

4.03: The Last Policeman, Hard Sun, The Three Body Problem

Ralph briefly discusses three pre-apocalyptic novels, with the conclusion that all that matters is how much time you’ve got left.

Show Notes

Links

  1. This episode is partially inspired by the thread Nihilism: Gaming in a Hard Sun world on the UKRoleplayers forum.
  2. Here’s a fun stackexchange thread) on Hard Sun’s possible extinction event.

Music Credits

“Cylinder Nine” from Cylinders by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 4.00 Annihilation Redux

Ralph talks about running Cthulhu Dark: Annihilation at Concrete Cow, the differences between Jeff Vandermeer’s book and Alex Garland’s film, and managing player expectations in one-shots and beyond.

Show Notes

Annihilation by Jeff Vandermeer // Annihilation by Alex Garland

Planning Cthulhu Dark: Annihilation

Annihilation the movie 00:45 // Differences between novel and film 03:15 // What you might change going from book to RPG 07:10 // Available technology, communicating with the outside, appeals to authority 11:20 // Party cohesion 13:25 // Cthulhu Dark: Annihilation at Concrete Cow 15:30 // The Cthulhu Dark formula (and the Colour out of Space) 18:15 // Over prepping 21:15 // Setting expectations for con games 24:40

Music Credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 308: return to the Southern Reach

Ralph briefly returns to Jeff Vandermeer’s Southern Reach trilogy.

Show Notes

The Southern Reach trilogy (Annihilation, Authority, Acceptance) by Jeff Vandermeer.

  • Annihilation episode recap 01:05
  • Authority 04:35
  • Acceptance 08:40
  • RPG bit (Call of Cthulhu, Cthulhu Dark and Lovecraftesque) 11:45

Music credits

“Cylinder Three“ from Cylinders by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 303: The Handmaid’s Tale by Margaret Atwood

We discuss Margaret Atwood’s dystopian novel The Handmaid’s Tale. Content warning: themes of abuse, rape and infertility.

Show Notes

The Handmaid’s Tale by Margaret Atwood

Becky Annison, Elizabeth Lovegrove, Ralph Lovegrove

  • Synopsis 2:00
  • Themes 13:50
    • Children of Men (PD James)
    • Apocalypse: scarcity
    • Dystopia: control of information
  • RPG bit 32:45
    • Rise and Fall
    • The Academics

Music Credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Special: Don’t Wake The Bear, Hare!

It’s one year since we released our first episode! We talk about the coming season 3, plus our son’s favourite book…

Show Notes

Liz and Ralph with some pre-Season 3 ramblings, plus Don’t Wake The Bear, Hare! by Steve Smallman and Caroline Pedler

Season 3 ideas 02:10 // Synopsis 07:50 // Themes 09:45 // Liz’s game 14:50 // Dread 18:05 // Ralph’s game 18:55 // Before the Storm 21:55

Music credits

“Cylinder Nine” from Cylinders by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 216: Second Variety by Philip K. Dick

Ralph, Liz and Josh give each other the side eye trying to work out which of the others are human… we read Philip K. Dick’s Second Variety.

Show Notes

Second Variety by Philip K. Dick

Elizabeth Lovegrove, Josh Fox and Ralph Lovegrove

Synopsis and comments start 00:30 // BSG 05:00 // The 100 13:25 // RPG bit starts with Liz 15:05 // Josh’s Game 16:50 // Ralph’s Game 19:50

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 215: Le Transperceneige, Snowpiercer

Ralph and Josh board Le Transperceneige a.k.a. the Snowpiercer.

Show Notes

Le Transperceneige by Jacques Lob and Jean-Marc Rochette, made into the film Snowpiercer by Bong Joon-Ho

Josh Fox and Ralph Lovegrove

Film Synopsis 00:45 // Graphic Novels 03:35 // Themes 08:05 // Oldboy 11:55 // The Hope by James Lovegrove 24:20 // The RPG bit (it’s Apocalpse World, innit) 26:00 // Wool by Hugh Howey 30:20 // Rise and Fall 37:00 // Last words 39:00 // Hollowpoint 39:25 // Actually these are the last words 39:30 // No, really, these are the last words 40:20 // The Bed Sitting Room and the London Underground (and Neverwhere) 40:30

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 213: Kiteworld by Keith Roberts

(see our previous episode)

Keith Roberts wrote nine groups of short stories, four of which are linked novellas. Kiteworld was published nearly 20 years after Pavane and bears more than a passing resemblance to the earlier collection, despite it’s post-apocalyptic setting.

Music credits

“Cylinder Four“ from Cylinders by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode A.1: Moby Dick by Herman Melville

In this very special episode we decided the best way to treat Herman Melville’s classic was to go back to our analogue roots. We discuss open seas, confined spaces, love among the sailors, Ahab the Eternal Champion, and more.

To get your copy please send a stamped self-addressed envelope together with a 50p cheque or postal order to the address given at the end of the podcast.

Episode 206: Mortal Engines by Philip Reeve

Ralph is joined by special guest Baz Stevens to discuss traction cities, airships and Municipal Darwinism in Philip Reeve’s Mortal Engines.

Show Notes

Mortal Engines by Philip Reeve

Ralph Lovegrove joined by Baz Stevens, one half of the Smart Party podcast

Synopsis 02:15 // Comments 06:15 // Slipstream 23:30 // Baz’s RPG ideas 27:40 // Moorcock’s Revenge of the Rose 28:00 // FAE and Spirit of the Century 28:25 // Castle Falkenstein 34:00 // Lace and Steel 34:45 // James Lovegrove’s The Hope 39:15 // Paranoia (as Brazil) 40:25 // Lost boys and Blades in the Dark 42:15 // Closing remarks 44:45

Enough About Me, Bill Paxton

Shortly after we recorded this episode Bill Paxton died on the 25th of February. Roleplayers will fondly remember his contributions to speculative genre films such as Aliens, Near Dark and Edge of Tomorrow.

Slipstream was a commercial and critical flop despite starring Paxton alongside Mark Hamill, Kitty Aldridge, Bob Peck, Ben Kingsley and F. Murray Abraham among others and directed by Star Wars collaborator Gary Kurtz. It’s not a great film. Perhaps if it had been made today with modern CGI and post-Fury Road sensibilities (a diverse cast, maybe) then the apocalyptic scope of the film would be realized.

RIP Bill Paxton.

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 204: Annihilation by Jeff Vandermeer

Becky, Ralph and special guest Tod Foley discuss the bizarre, creeping horror in Jeff Vandermeer’s Southern Reach series.

Show Notes

Annihilation (and sequels) by Jeff Vandermeer.

Ralph Lovegrove with Becky Annison and Tod Foley

Bronson Pinchot has a lovely voice 01:05 // Synopsis (and general conversation) 01:45 // RPG ideas start 07:40 // Man Against Fire (Black Mirror) 08:35 // Archipelago and Itras By 11:30 // Itras By 11:40 // Lots more RPG options from Tod 13:40 // Bleed 15:45 // De Profundis 19:40 // Hot War 32:20 // LARP 42:50

RPGs

We covered a lot of different games in this episode, so here they are in order of mention:

  • Archipelago
  • Itras By
  • Stalker RPG
  • Day Trippers
  • Cypher System
  • Dread
  • Call of Cthulhu
  • De Profundis
  • Hot War

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“Another Version Of You” from Thoughtless by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 202: The Margarets by Sheri S. Tepper

In this episode Becky, Liz and Ralph split off and explore the many lives of The Margarets by Sheri S. Tepper.

Show Notes

The Margarets by Sheri S. Tepper

Becky Annison, Elizabeth Lovegrove and Ralph Lovegrove

Synopsis 00:33 // Comments 05:30 // RPGs, shared characters and concluding the game 11:30 // Becky’s RPG 20:30 // Liz’s RPG 25:30 // Ralph’s RPG and Blake’s 7 29:00 // Non-simultaneous travel and communication (and Ursula Le Guin) 38:00 // Other Tepper recommendations 40:10

(we namecheck Beyond the Wall and Traveller in this episode)

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 12: More Short Stories

It’s National World Short Story Novel Mustache Reading Writing Knitting Month, so we’re doing more short stories — this time from Octavia Butler, Ray Bradbury and Cory Doctorow. Also, Rod Steiger, Charlie Brooker and the Sandman!

Show Notes

The Evening, The Morning and The Night by Octavia Butler, curated in the Sisters of the Revolution anthology by Ann and Jeff Vandermeer

When Sysadmins Ruled The Earth by Cory Doctorow

Fever Dream (from The Day It Rained Forever) and The Veldt (from The Illustrated Man) by Ray Bradbury

Elizabeth and Ralph Lovegrove, with Rowan on percussion

Octavia Butler 00:40 // Cory Doctorow 06:33 // Ray Bradbury 09:22 // Themes 10:55 // Games 17:27 // Microbes, HP Blavatsky, Nazis 18:49 // Modified Werewolf Game 26:12 // The Veldt 27:22 // Rod Steiger 29:17 // Charlie Brooker 31:27 // Framing Devices 31:57 // World’s End 32:12

Music credits

“Is That You Or Are You You?” from Reappear by Chris Zabriskie

“But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie

chriszabriskie.com // bandcamp // free music archive

Episode 03: Station Eleven by Emily St John Mandel

This episode we abandon hopes of getting the DVD player working again and embrace the apocalypse with Emily St John’s Station Eleven

Show Notes

Station Eleven by Emily St. John Mandel

Ralph Lovegrove and Elizabeth Lovegrove

00:20 Synopsis // 06:40 Dystopia // 09:40 The Knowledge // 12:25 The Games

Games

Apocalypse World by D. Vincent Baker & Meguey Baker // Summerland by Greg Saunders // Other Dust by Sine Nomine Games // Unknown Armies by Greg Stolze & John Tynes

Other Things

I Am Legend by Richard Matheson and the film adaptation

The Knowledge by Lewis Dartnell

Music

“Is That You Or Are You You?” from Reappear by Chris Zabriskie “Cylinder 3” and “Cylinder 4” from Cylinders by Chris Zabriskie (chriszabriskie.com bandcamp free music archive)

“Gone” from Music for Podcasts 2 by Lee Rosevere (happy puppy records bandcamp free music archive)

Episode 02: Sabriel by Garth Nix

In this episode we claw our way up through the precincts of Death to talk about Sabriel by Garth Nix.

Show Notes

Sabriel by Garth Nix

Ralph Lovegrove and Elizabeth Lovegrove

Games

Beyond the Wall by Flatland Games // Death Comes To Wyverley (Playset for Beyond the Wall) by Ralph Lovegrove // Monsterhearts by Avery McDaldno

Other

Rhiannon Lassiter’s website

Music

“Is That You Or Are You You?” from Reappear by Chris Zabriskie “But Enough About Me, Bill Paxton” from Direct To Video by Chris Zabriskie (chriszabriskie.com bandcamp free music archive)

“Content” from Music For Podcasts by Lee Rosevere (happy puppy records bandcamp free music archive)